by Rodney Punt
Like the beached riverboat that concludes Act 1, composer Daniel Catán’s Florencia en el Amazonas has taken on a lot of water since the premieres at the co-producing opera companies of Houston (1996), Los Angeles (1997), and Seattle (1998). In many ways a trailblazer, Florencia was the first Spanish-language opera to be commissioned by a major opera company north of the Rio Grande. While its historic importance is secure, the work’s continuing viability proved problematic last Saturday at its prodigal return to the Chandler Pavilion after a 17-year hiatus.
For full review on San Francisco Classical Voice, click here.
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